This week we take a look at the new album from the LeFevre Quartet, Well Done.
Mike brought the quartet to the Southern Gospel scene in 2005 with the release of their debut album, Legacy. The LeFevere tradition in Gospel Music dates back nearly 100 years.
The 2017 vocal line-up of the LeFevre Quartet is Jeremy Peace (tenor), Jordan LeFevre (lead), Mike LeFevre (baritone) and Keith Plott (bass).
It is good to see Keith Plott back singing quartet music. He is allowed to show off a bit on Well Done. He has the lead on the album’s opening song, “I’m Gonna Be Movin”. A nice traditional Southern Gospel quartet number.
Keith also has a stand out performance on the Southern Gospel classic, “Thanks To Calvary”.
There is some strong up-tempo songs on Well Done. One of the strongest features Jordan, “Victory Side”. This would be a strong contender for radio single possibilities.
A newer song that has been recorded a couple of times in the last few years, “How Great The Debt”, features Mike. He still proves why he’s one of the best baritone vocalists in the history of the genre.
Jeremy’s strongest performance comes with a song he recorded when he was a member of the Old Paths, “Out Of The Grave”.
Can’t leave the review without also mentioning Jeremy’s other feature, the title track; “Well Done”. A traditional Southern Gospel ballad that would also be a strong radio single contender.
Strongest songs included in order: “I’m Gonna Be Movin”, “Victory Side”, “How Great The Debt”, “Out Of The Grave”, “Well Done”, “Thanks To Calvary” and “Somebody Left The Door Open”.
The LeFevre Quartet fall into the trap of recording songs that have been recorded too many times to count. Listeners are given another cover of “I’m Too Near Home”.
Also, in regards to song covers, their version of the Joel Hemphill classic, “Ready To Leave” is not their strongest performance on the recording.
Weakest songs included in order: “Let The Church Arise” and “I’m Too Near Home”.
The LeFevre Quartet is consistent with the quartet music they’ve been providing listeners the last several albums. They provide a nice mix of traditional and progressive Southern Gospel sounds. Well Done is one Southern Gospel quartet fans will enjoy.
SONG/Featured Vocalist – Songwriter:1. “I’m Gonna Be Movin”/Keith – Bobby Butts, Robert J Butts 2. “Well Done“/Jeremy – Jason Cox, Marty Funderburk3. “Ready To Leave“/Ensemble; Jordan – Joel Hemphill 4. “When God Says Live”/Ensemble; Keith – Debora Bailey, Annie McCutcheon, Daryl Williams 5. “Let The Church Arise”/Ensemble – Lee Black, Joseph Habedank, Tony Wood 6. “How Great The Debt”/Mike – Rebecca Peck, Dianne Wilkinson 7. “Somebody Left The Door Open”/Mike – Daryl Williams 8. “Out Of The Grave”/Jeremy – Rebecca Peck 9. “Victory Side”/Jordan – John Darin Rowsey 10. “Thanks To Calvary”/Keith – Gloria Gaither, William Gaither 11. “I’m Too Near Home”/Ensemble – Charles Wycuff
Happy Monday! Time to get a new work week started. Also time to take a little break out of your day to keep up with the annual countdown of Southern Gospel’s best.
The LeFevre Quartet find a home at #12 in the best of 2016 with the album, Home. Now with Jeremy Peace anchored as tenor vocalist, the LeFevre Quartet offered Southern Gospel listeners with one of the best quartet albums of the year.
Mike continues to show why he remains one of Southern Gospel’s best baritone vocalists while lead vocalist Jordan LeFevre continues to climb the ranks.
The (5) Best Songs From The Album: (1) “He Left No Stone Unturned”, (2) “He Saved Me Anyway”, (3) “Something”, (4) “He Was There” and (5) “Unseen Things Above”.
Another group having the best year of their career in 2016 is 11th Hour. Amber Eppinette, Grant Gibson and Jaquita Lindsey are giving Southern Gospel listeners the best the industry has to offer.
The 2016 album release, What A Moment, has already given the trio two #1 songs on the Southern Gospel radio singles chart. The group’s progressive style is a throw back to what the Martins were providing listeners in the late 1990’s.
Track #7 on What A Moment, “When God Shows Up”, is 12th among the best recorded songs of 2016. You can’t get much better than Lee Black, Kenna West and Dianne Wilkinson, who penned the song.
Thursday night of the NQC is over. The music was very good tonight, but the night nearly ruined by the biggest miss of the entire week.
It was like a hit parade tonight. Many artists decided to do entire sets of some of their biggest hits.
Gold City had an entire set of classic Gold City songs. The Perrys decided to use all hit singles in their set. Add Jeff & Sheri Easter to that list. A ton of great music.
Josh Townsend, pianist for LeFevre Quartet, was styling tonight in that jacket and he also pulled off an awesome piano solo.
Congrats to Ronny Hinson for finally being inducted in to the Southern Gospel hall of fame. Long overdue.
The back to back sets of Ernie Haase & Signature Sound and the Nelons provided some awesome music. Karen Peck joining Kelly Nelon on “You Can’t Make Old Friends” was a special moment.
I’ve always loved Squire Parsons composition, “King Of Eternity”. The Kingdom Heirs (trio) did a fantastic job on that particular number tonight.
The Taylors capped off a great night of music with a solid three song set.
There is only one miss tonight, but it is the biggest of the week. Why do individuals feel the need to spew their political views? A certain preacher had to hock a new book to tell us how horrible America is and tell us that we have to vote for a certain candidate who for the last year has also been telling crowds how horrible America is. Putting your trust in an individual that will ultimately go down as the worst presidential candidate in the history of this nation is not something you should be proclaiming to large crowds of people. When are individuals like this going to realize not everyone thinks the way they do. Everyone (yes even evangelicals) will not vote the same way. That is what it means to be American. We are free to differ on issues but in no way is it ok for anyone (especially in his position) to tell another how to vote and by not voting the way they say is wrong/bad and somehow the nation is doomed. If you want to live in that kind of country, go to Russia.
**Now to crown the best of the night:
Best single song performances (in order of appearance): (1) “I’m Getting Ready To Leave This World” – LeFevre Quartet (2) “Praise His Name” – Jeff & Sheri Easter (3) “There Rose A Lamb” – Gold City (4) “Keep On” – Perrys (5) “Redeemed” – Ernie Haase & Signature Sound (6) “I Think I’ll Read It Again” – Nelons (7) “A Moment Of Grace” – Booth Brothers (8) “King Of Eternity” – Kingdom Heirs (**Favorite song performance of the evening) (9) “He Won’t Fail You” – Taylors
Best Set of the Night: There were several contenders tonight but I had to give it to the group that was high energy from start to finish; Ernie Haase and Signature Sound.
Tuesday night of the 2016 National Quartet Convention is now in the record books. The night overall was mediocre, especially compared to last night’s memorable moments. I was hard pressed to find the highlights. Tonight, there are definitely more misses than hits.
I’ve enjoyed the hall of fame segments the last two evenings. Carroll McGruder’s music, along with the McGruders had a ton of impact on me as a teenager. Glad to see him honored.
Boy, do I miss hearing a steel guitar at Southern Gospel concerts. Thank you Jeff and Sheri Easter for providing that highlight tonight.
The Down East Boys was an early highlight. “One Way, One Name, One Door” is one of the most played Southern Gospel songs in my playlists for 2016.
Kim Collingsworth’s speech about music/life was far better than anything else the group’s segment provided tonight.
The LeFevre Quartet ended the evening on a strong note.
Did the tenor mic seem off tonight or was it just the tenor singers? The tenor vocal in the mix (at least through the web cam) overpowered the other vocalists for the majority of sets. The sound crew didn’t take the mic from last night’s presidential debate, did they?
Did Mark Bishop burp on the ending to “Pray On The Little Days”?
Have the Inspirations thought about retirement?
The Booth Brothers trying to create a musical moment with the Collingsworth Family derailed when “Life’s Railway To Heaven” turned in to a train wreck?
Speaking of the Booth Brothers/Collingsworth Family segment; combined the artists got one hour on stage and they still went over.
**Now to crown the best of the night:
Best single song performances (in order of appearance): (1) “One Way, One Name, One Door” – Down East Boys (2) “It Is No Secret” – Booth Brothers (3) “I Know” – Kingsmen (4) “I Want To Walk With My Lord” – LeFevre Quartet **some of you would think I didn’t watch the entire night because of the number of song performances I enjoyed. But I did, oh I did.
Best Set of the Night: I nearly named my bed best set of the night for keeping me comfortable while watching tonight’s program but the LeFevre Quartet came through in the end (despite staging “Oh What A Savior”) to pull off the most solid of any on the night.
I re-started the SWOT analysis feature up three months ago and haven’t posted since. Lets change that. Working in the business world, the SWOT analysis is used to determine the strengths and weaknesses of an organization while also looking at opportunities and threats the organization could face.
This week’s SWOT analysis will take a look at the strengths and weaknesses of Southern Gospel quartet; LeFevre Quartet.
The immediate name recognition of Mike LeFevre allowed the LeFevre Quartet an instant listen by most Southern Gospel audiences. His time spent with Gold City and to have the legendary name LeFevre were both huge strengths.
Being a male quartet in an industry dominated by male quartets allows the group comfort that listening audiences will enjoy what is provided musically.
The hire of Jeremy Peace at tenor was a great decision. His vocal talent at the tenor spot is unmatched by most in Southern Gospel music.
Having Mike and Jordan, both LeFevres, as a constant with the group allows stability among Southern Gospel listeners.
The group has had consistent turnover in the bass vocal spot. If I’m not mistaken, the group is currently traveling as a trio as they look for a new bass vocalist.
The quartet needs a few signature songs that will be immediately recognized as LeFevre Quartet songs. That doesn’t always translate to success but it helps.
Having the name LeFevre still in Southern Gospel music is a plus. The group should do more to honor the LeFevre heritage in songs they perform in concert.
I would love to see a modern-day quartet revive, “Go Out To The Program”. Performed by the Oak Ridge Boys in the early ’60s and then later by the Kingsboys in the 1980s.
The consistent turnover at the bass vocal spot could ultimately leave the LeFevre Quartet a trio. Look what happened to Brian Free & Assurance. This could definitely cause the group to lose appeal with some listeners.
As Southern Gospel concert crowds continue to dwindle, this leaves the entire industry at a crossroads of where future revenue will be generated.
I’m back; revived, refreshed and ready to start May. Free music Monday will continue next week. I will start May as I do each month; provide my readers the five most played Southern Gospel radio songs in my musical playlists over the preceding month. Enjoy!